From that point on, the filmmakers went with a sorrowful version of the sequence. I guess they thought it was too violent or something". Docter explained "We showed it, and there was silence. Nevertheless, the test audiences did not warm to the sequence. Co-director Bob Peterson said "we thought that was the funniest thing", noting that even when Carl visited Ellie's sickbed, she gives him a feeble slap. This led into a montage sequence of a "lifelong sneak-attack punching game, lending the script some heart in a 'non-sappy' way", according to the Huffington Post. Pete Docter always felt that an expository sequence to open the film was important because if the viewers do not love the characters, "then not along for the ride." In an early draft of the Ellie-Carl meeting, Carl is trying to capture a bird with a trap and Ellie punches him in the face, yelling about animal rights. They envisioned it as a wordless montage that would play like a series of Polaroid home movies. Their solution was to show the entirety of a married couple's relationship from the first day they met to the day the wife died. While the core concept of the film was to have a house float into the sky with balloons, the filmmakers needed a rationale for why a character would do such a thing. The opening sequence to the 2009 Disney- Pixar film Up (sometimes referred to as " Married Life" after the accompanying instrumental piece, the Up montage, or including the rest of the prologue The First 10 Minutes of Up ) has become known as a cultural milestone and a key element to the film's success.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |